Main Vaapas Aaunga maintained a strong hold on its second Wednesday, collecting Rs.
2.50 crore.
The Box Office Collections of Main Vaapas Aaunga in India are as follows:Day Nett Week One Rs.
2nd Friday Rs.
2nd Saturday Rs.
Main Vaapas Aaunga maintained a strong hold on its second Wednesday, collecting Rs. 2.50 crore. That's a 15 per cent drop from the previous day. The second week's cume reached Rs. 20 crore in 6 days. It is looking to close this week at around Rs. 22 crore, which will be about 75 per cent higher than its opening week.
Currently standing at Rs. 32.50 crore, the romantic drama is expected to surpass the Rs. 35 crore mark by Thursday EOD. Going by the present trends, the film is now in contention to be a success, although there is still a long way to go.
To push beyond Rs. 60 crore nett, the Imtiaz Ali directorial film will need to maintain drops of under 50 per cent over the next three weeks, preferably closer to 40 per cent. There is going to be strong competition from several big releases in the next couple of weeks, with Welcome to the Jungle, Alpha and Dhamaal 4 gearing up to hit the big screens.
It will be interesting to see how the movie performs in its third week while facing Welcome to the Jungle.
The Box Office Collections of Main Vaapas Aaunga in India are as follows:
Day Nett Week One Rs. 12.50 cr. 2nd Friday Rs. 2.00 cr. 2nd Saturday Rs. 4.50 cr. 2nd Sunday Rs. 5.50 cr. 2nd Monday Rs. 2.50 cr. 2nd Tuesday Rs. 3.00 cr. 2nd Wednesday Rs. 2.50 cr. (est.) Total Rs. 32.50 cr.
Stay tuned to Pinkvilla for more updates.
DISCLAIMER: The box office figures, opening-day forecasts, and lifetime collection projections mentioned in this article are subjective trade estimates compiled from various commercial parameters, advance trends, and market sentiment. These are purely analytical tracking figures and do not constitute actual, finalised collections or certified accounting statements. Pinkvilla does not make any representation or warranty, express or implied, regarding the pinpoint accuracy or completeness of these projections. No statement in this article is intended to defame, harm, or malign any individual, production house, artist, or commercial entity involved in the making of the film.
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